ChrisGendo vs. AshcrementVII: Difference between revisions
add match pages |
mNo edit summary |
||
| Line 50: | Line 50: | ||
}} | }} | ||
[[ChrisGendo vs. AshcrementVII]] accounts for two seperate [[YouTube Poop Tennis]] matches with the same volleying order; the originial took place between September 26 and October 17, 2010. This match was themed around only using animated sources for its duration, and | [[ChrisGendo vs. AshcrementVII]] accounts for two seperate [[YouTube Poop Tennis]] matches with the same volleying order; the originial took place between September 26 and October 17, 2010. This match was themed around only using animated sources for its duration, and the rounds feature a unique mixture of both Japanese and Western animation, with a particular focus on Disney-related media for the latter. Sources added include ''Welcome To The NHK'' ("I'M GOING TOWARDS THE LIIIIIIIIIIGHT"), ''Bakemonogotari'', ''Kara No Kyoukai'', the Touhou music video for the IOSYS arrangement of "Heartfelt Nekoromancer", ''Dragon Ball Z: The Tree of Might'', ''Full Metal Panic: Fumoffu'', ''Ranma 1/2'', ''Urusei Yatsura'', ''Revolutionary Girl Utena'', "Top wo Nerae! Fly High" (1989) from the ''Gunbuster'' soundtrack album ''Top wo Nerae! Ongaku Daizukan'', ''The Great Mouse Detective''(1986), ''DuckTales'', ''Chip n' Dale: Rescue Rangers'', the Daffy Duck short ''Duck Amuck''(1953), the Goofy short ''No Smoking''(1951), and the Mickey Mouse short ''The Band Concert''(1935). | ||
It was the 39th match completed by ChrisGendo. It is notable for being {{AshcrementVII}}'s very first match, within which he made an immediate impression on the tennis community at the time for a unique approach that already seemed fully formed and a grasp on tennis that was more advanced than the average beginner. His immediate intuitive expertise allowed for a match of initially modest ambition to increase its quality in terms of both players' responses, sporting a final rotation that was far more musical and complex in scope. {{AshcrementVII}} and {{ChrisGendo}} found each other having incredible chemistry together in terms of source and stylistic preference, and the match was the beginning of a close years-long friendship between them. They would go on to play in many more matches together, both collaborating and volleying off each other in different configurations, and both would borrow from one another's signature sources in their own separate video output. | It was the 39th match completed by ChrisGendo. It is notable for being {{AshcrementVII}}'s very first match, within which he made an immediate impression on the tennis community at the time for a unique approach that already seemed fully formed and a grasp on tennis that was more advanced than the average beginner. His immediate intuitive expertise allowed for a match of initially modest ambition to increase its quality in terms of both players' responses, sporting a final rotation that was far more musical and complex in scope. {{AshcrementVII}} and {{ChrisGendo}} found each other having incredible chemistry together in terms of source and stylistic preference, and the match was the beginning of a close years-long friendship between them. They would go on to play in many more matches together, both collaborating and volleying off each other in different configurations, and both would borrow from one another's signature sources in their own separate video output. | ||